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Stan Getz & The Oscar Peterson Trio: The Silver Collection | 
 enlarge | Artist: Stan Getz
Creator: The Oscar Peterson Trio
Label: Polygram Records
Category: Music
List Price: $11.98
Buy New: $6.96
You Save: $5.02 (42%)
New (45) Used (17) from $6.37
Avg. Customer Rating:  25 reviews
Sales Rank: 2119
Format: Extra Tracks, Original Recording Remastered
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 4.9 x 0.5
MPN: 827826
UPC: 042282782625
EAN: 0042282782625
ASIN: B0000046ZJ
Release Date: October 25, 1990
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: BRAND NEW Factory Sealed - Ready to be shipped within 24 hrs from California - Average 5 workdays delivery time - Excellent customer service - Buy with confidence!
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| Tracks:
| • | I Want To Be Happy | | • | Pennies From Heaven | | • | Ballad Medley: Bewitched, Bothered, And Bewildered/I Don't Know Why I Just Do/How Long Has This... | | • | I'm Glad There Is You | | • | Tour's End | | • | I Was Doing All Right | | • | Bronx Blues | | • | Three Little Words | | • | Detour Ahead | | • | Sunday | | • | Blues For Herky |
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| Editorial Reviews:
Amazon.com
Stan Getz and Oscar Peterson were both consummate performers, comfortable at any tempo, when they met for this 1957 recording, and they're clearly enjoying one another's skills on ballads and uptempo tunes alike. The group is one of the finest editions of Peterson's trios, with bassist Ray Brown and guitarist Herb Ellis. It's virtually a machine for quiet swing, and the absence of a drummer lets Getz's silky sound come to the fore with all its details intact. For all his fame as a virtuosic pianist, Peterson is an underrated accompanist. He complements a soloist with deft fills and unobtrusive propulsion, and the backgrounds he supplies here are as subtle as his solos are extroverted. The program is a good mix of standards and Getz originals, including the joyous "Tour's End," while the extended ballad medley could define jazz lyricism. There's also a brief but infectious version of Ellis's "Detour Ahead," the guitarist's early and highly successful foray into songwriting. --Stuart Broomer
Album Description
Japanese exclusive remastered reissue of the jazz act's 1957 album, packaged in a limited edition miniature LP sleeve. Verve. 2004.
Album Details
24bit Digitally Remastered Japanese Limited Edition in an LP-STYLE Slipcase.
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| Customer Reviews: Read 20 more reviews...
Rememberence of Swing Past January 28, 2008
2 out of 2 found this review helpful
Now that the men who collaborated in this session 50 years ago have passed away, this disk provides memories of jazz artists who will never be heard from any other way. Their unique style ic as classic as classical music.
lively, melodic, and interesting November 28, 2007
This album takes two amazing musicians and brings them together for incredibleness. If you don't have it and you like jazz, get it.
top ten September 28, 2007
2 out of 2 found this review helpful
This recording is in my top ten jazz recording list. This should be in every jazz fans collection. When the terms swing, groove, or playing in the pocket are thrown around, this recording should be on of the first to come to mind. Getz and Peterson are in total communication. Their phrasing and ideas are in total aggrement and their lines are fluid and creative. The technique is amazing but never unmusical. There is an obvious Lester Young influence coming through Getz, but one never feels that it's a rip-off like so many players are guilty of. This album is also just a hell of a lot of fun to listen to. Get it!!
An absolute joy September 15, 2007
1 out of 1 found this review helpful
Stan Getz in person was quite unpleasant apparently. Quite in contrast to his wonderful Tenor Sax playing. Here he supported by the Oscar Peterson Trio in a session recorded in October 1957.
The most noticeable thing about this session is that there is no drummer, although sometimes you'd swear there was as it swings hard! The trio is Ray Brown - Bass, Herb Ellis - Guitar, and Oscar Peterson - Piano. The first track "I want to be happy" absolutely motors along with Getz playing a typically lyrical inventive solo followed by a blistering reply from Peterson.
The other oddity is the last track "Blues for herky", a straight blues started by Peterson with a downhome Jimmy Yancy boogie-woogie left-hand. A boogie-woogie feel is maintained throughout the whole track and finishes the album off perfectly leaving you wanting more.
If the rest of the album isn't quite as interesting as those two tracks theres plenty of other classy tracks that you may well prefer. Well worth getting.
Great - The Best of the Best January 27, 2007
1 out of 1 found this review helpful
There are so many superlatives about this album. The first thing one new to the Peterson trio may notice is the lack of drums. And yet, the trio swings so hard that it's very easy to forget. Getz's soft, gentle tone on sax makes a stark but highly effective foil to Peterson's high-energy keyboard acrobatics and staggering virtuosity. The bass and guitar hold everything together transparently, working together in perfect syncronization during the solos, to keep the energy at a proper pitch at all times, then peeling off to do their own magic when it's their turn to solo. The speedy opening cut, "I Want to Be Happy", constantly pops with surprises and new textures. Often, I'll play it twice in a row because it's so much fun to listen to. This album is top jazz musicians at the top of their game.
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