Americana | 
enlarge | Artist: The Offspring Label: Sony Category: Music
List Price: $13.98 Buy Used: $0.25 You Save: $13.73 (98%)
New (42) Used (137) Collectible (1) from $0.25
Avg. Customer Rating: 786 reviews Sales Rank: 3095
Media: Audio CD Discs: 1 Shipping Weight (lbs): 0.2 Dimensions (in): 5.9 x 5 x 0.4
MPN: 69661 UPC: 074646966129 EAN: 0074646966129 ASIN: B00000DHRZ
Release Date: November 17, 1998 Availability: Usually ships in 1-2 business days Condition: CD and cover art only; no jewel case
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| Tracks:
| • | Welcome | | • | Have You Ever | | • | Staring At The Sun | | • | Pretty Fly (For A White Guy) | | • | The Kids Aren't Alright | | • | Feelings | | • | She's Got Issues | | • | Walla Walla | | • | The End Of The Line | | • | No Brakes | | • | Why Don't You Get A Job? | | • | Americana | | • | Pay The Man |
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| Editorial Reviews:
Amazon.com Maybe hanging out with Jello Biafra put the fun-loving spring in Offspring's step. Or perhaps it was just the royalty checks, hot babes, and fast cars. Whatever the case, the band's fourth record, Americana, is its most lively offering to date, replacing angst and rage with energy and sarcasm. The novelty single "Pretty Fly (For a White Guy)" matches infectious riffing and shout-along vocals with fly-girl chants of "Give it to me, baby" and lyrics about wannabe scenesters; and a storming punk-rock version of Morris Albert's "Feelings" sees the band hitting a new level of, er, (in)sensitivity. Elsewhere, the humor is slightly more subtle; "She's Got Issues" cops a new-wave guitar line from the Cars songbook, "The Kids Aren't Alright" opens like an Iron Maiden anthem, and "Why Don't You Get a Job?" is a blatant reggae-style spoof of the Beatles' "Ob-La-Di, Ob-La-Da." Musically, Americana offers no real revelations, but the songs are a bit craftier and more diverse than the rest of the Offspring oeuvre, veering haphazardly between anthemic punk metal, blistering hardcore, and near-psychedelic experimentation. --Jon Wiederhorn
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| Customer Reviews: Read 781 more reviews...
Stands out as one of their most memorable CDs August 6, 2008 It's 2008 now and I was blown away by The Offspring's latest, Rise and Fall Rage and Grace, which was to me, their highest-quality CD to date, featuring possibly the band's best ever ratio of hits to misses; there's not a bad song on the disc.
But what started me off with this band was Americana, almost a decade ago. Ah, 1998. The Offspring's final CD to be released before the music industry essentially died with Napster, back in the days when groups like The Offspring could actually sell millions. I've listened to and liked/loved all The Offspring's CD's (with the exception of self-titled, which I'll get to eventually,) but there's still something about this CD that makes it, in its own way, stand out as being the band's most ambitious, energetic, and yet also most memorable CD.
What's so cool about this CD is that it's, in a way, a concept record, with the main theme of the CD being "The American Dream," as hit home on the song Americana, and throughout the CD, themes like crime, drugs, trendy wannabe's, hatred, death, being abused by 'the man', greed, etc...are all spread throughout the CD. The final 2 tracks, Americana and Pay the Man, are easily the strongest The Offspring's ever ended a CD too, as it's absolutely epic.
But it's not a dark CD. It has its share of dark songs but much of the CD features such a high energy level that it's just a fun listen. It's a great mix of light and dark and while there are some songs here that are perfectly played by mass audiences (Pretty Fly, She's Got Issues, Why Don't You Get A Job, etc) the CD also contains heavy stuff like No Brakes, The End of the Line, The Kids Aren't Alright, Americana, Pay the Man, and Have You Ever that are just as fast as The Offspring's ever been, which is why...yes, the CD was popular, but it's really no different than past CDs the band's made, it sounds like a much higher-energy version of Ixnay.
There are a couple songs on here that I hate (Feelings and Why Don't you Get a Job,) but everything else on here's all pretty great stuff. Musically the Offspring's best is Rise and Fall, Rage and Grace, but somehow, Americana still stands out as being "The Offspring's most memorable," and I'm not sure why that is. I guess because it features just the right amount of experimentation and tried-and-true, it's got a killer song list, it's full of energy, it's got a message and a theme, and it flows VERY well. It also captures its time PERFECTLY...and it was also a good deal of fans' first exposure to what would become our favorite band, The Offspring.
My favorite Offspring CD's in order (as of now, excluding the self-titled, which I'll get to hearing eventually) are...
*Rise and Fall, Rage and Grace (Best) *Americana (2nd best, SO close. Easily the band's most memorable, however) *Ixnay on the Hombre *Ignition *Splinter *Conspiracy of One *Smash (I don't care what everyone says, I just really don't like this CD. Not sure why, I keep trying to get into it, for some reason it just doesn't click with me.)
One of the Best Offspring Albums. June 23, 2008 I loved this album. I would have given it a 4.5 if I could have. I can't give it a 5 just because of Why Don't You Get a Job. That song is awful. If you got rid of that song then this would be a 5 star album. Every song on this album is good, or even perhaps great except for that song. My personal favorites are The Kids Aren't Alright and Americana, but I also loved Have You Ever, Staring At The Sun as well as Pay the Man. These were all great tracks. I wish The Offspring still put out tracks like these. All I can say is this is a definite buy for any Offspring fan and possibly a buy for fans looking for good punk rock music.
My View April 17, 2008 This album is for true Offspring fans.People who hate it have lived a messed up life like me or others.This album has slang term normal people may hate.So this album is worth buying if you have a sad life.
Change is good April 4, 2008 This album gets bashed for being a sellout album, not like the old offspring but people don't seem to realize that bands change and that it is not bad. I own all of their albums except for Ixnay and I think all of their albums are different and that is what I like.
The diversity of their sound is good, maybe someone will like their old cd's and not their newer stuff, maybe someone will like their new stuff but no their old. Or maybe you can learn to appreciate all of their music because change is bound to happen.
This was the first Offspring album I bought in 5th grade and it was the first rock album I got. I really enjoyed it then and still enjoy it now, even if I don't listin to it for a few months. Each song is different, they range from humorous (Pretty Fly, Walla Walla) to serious (End of the line, Pay the Man).
This group has been around for over 20 years and I just love their sound, so different from all the other bands I have heard. If you own their newer albums (Splinter, CO1, Americana) I suggest you try their older stuff (Self Titled, Ignition, Smash) Their self titled and ignition are both really strong album.
Make sure you lisitn to the album all the way through and more than once because their are many times when you won't like a song right away.
Hits excluded, another anonymous album February 1, 2008 1 out of 1 found this review helpful
Offspring have made millions with a very simple plan done very very well and it's quite a minimalist plan. Ultimately the band have done it again as they have produced an album with nice production techniques, very concise songs that are perfectly edited towards the attention span of their audience and with a genuinely (mildly) amusing sense of humour proving that just because you sell millions doesn't mean you can't have a laugh which is quite refreshing - especially since this was the 90's remember.
The band here has unleashed a pop punk hard rock album with plenty of full bodied tracks replete with Dexter Hollands endearing non singing style cutting through with clarity which is important if you want people to actually get the jokes your sending forth. Production by Dave Jerden is fine, the band aren't exactly writing Bohemian Rhapsody here or the next album by Dream Theater. Once again all the lyrics are included along with the sort of mildy amusing cartoons we've seen on other Offspring album booklets.
As per most of their other albums this one is held together wholly and solely by the hit singles, it seems that the band only write a few good tunes per album and then proceed to fill in the gaps with noise that sounds appropriate without actually taxing their songwriting skills. Here those hits include the rather substandard-for-an-Offspring-single She's Got Issues and the genuinely amusing Why Don't You Get A Job. Some of the tracks like The Kids Aren't All Right and Feelings come close to hitting the nail on the head and of course there is the flagship single Pretty Fly (For A White Guy) which has a typically bouncy delivery and it resonates with a lot of people because we all know someone who tries so darn hard yet just doesn't get it. Which is perhaps why apart from it's fun aspect is why it became the albums signature hit.
All up another piece of hard rock fluff by a band who seem to have the midas touch as everything they release goes gold, or more like platinum.
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