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Adding Machine: A Musical

Adding Machine: A Musical

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Creators: Joshua Schmidt, Joel Hatch, Amy Warren, Cyrilla Baer, Joe Farrell, Adinah Alexander, Niffer Clarke, Roger E. Dewitt, Daniel Marcus
Label: P.S. CLASSICS
Category: Music

List Price: $19.98
Buy New: $12.00
You Save: $7.98 (40%)



New (29) Used (11) from $9.99

Avg. Customer Rating: 4.0 out of 5 stars 11 reviews
Sales Rank: 2599

Format: Cast Recording
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5

MPN: 865
UPC: 803607086527
EAN: 0803607086527
ASIN: B0017T269G

Release Date: June 3, 2008
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Factory sealed, mint.

Tracks:

  • Prelude 2. Something to Be Proud Of 3. Office Reverie 4. In Numbers 5. I'd Rather Watch You 6. The Party 7. Zero's Confession 8. Once More/Ham and Eggs 9. Didn't We? 10. The Gospel According to Shrdlu 11. A Pleasant Place 12. Shrdlu's Blues 13. Daisy's Confession/I'd Rather Watch You (reprise) 14. Freedom!/The Flinch 15. In Numbers (reprise) 16. Freedom! (reprise) 17. The Music of the Machine

Similar Items:

  • In The Heights
  • A Catered Affair (Original Broadway Cast Recording)
  • Rodgers and Hammerstein's South Pacific (The New Broadway Cast)
  • Passing Strange
  • Company

Customer Reviews:   Read 6 more reviews...

2 out of 5 stars Do not expect Broadway music   September 20, 2008
I wished those who rave about this recording would have said: "this is not your average sounding Broadway show." I would have saved my money. Now, if you like hard, acidic rock of industrial nature, aggresive and without much good melody, this is definitely for you. For me it is Kurt Weill on speed and without the tunes.
PS: I wished that those who write reviews remember that the main purpose is to "help others make a decision" and include these caveats. Unfortunately, so many seem to do it to pursue their own frustrated ego trip. So here it is a warning for those who like intelligent music and lyrics a-la-Sondheim: proceed carefully.



2 out of 5 stars not as good as expected   August 18, 2008
 0 out of 3 found this review helpful

After reading the posted reviews, I was looking forward to receiving the musical but was disappointed when it finally arrived. I found the music to be somewhat harsh and, while the premise was intriquing, it probably translated better on the stage...


5 out of 5 stars Welcome Joshua Schmidt   August 17, 2008
A powerful score to a dark brooding musical. Performances are uniformly superb. Thanks to PS Classics for recordings this extraordinary piece of music theater. Keep an eye/ear on composer Joshua Schmidt!


4 out of 5 stars Grabs You!   August 9, 2008
 0 out of 1 found this review helpful

Let's face it: the story is not a pretty one. The music faithfully reproduces the characters' feelings. Dark, but a good ride.


5 out of 5 stars Brilliant Progressive Composing   July 29, 2008
 1 out of 2 found this review helpful

Whenever amazon recommends a new CD to me, I usually heed the call because their computers really seem to have my musical tastes nailed down pretty good. I'd say I end up liking 95% of what they recommend, while maybe 1 in 100 really end up hitting the mark dead-on. Well, Adding Machine is one of those rare choices.

Who is this Joshua Schmidt guy anyway? Turns out that he's never written a musical before. Maybe that's why this score is so incredibly good. The piano work is nothing short of amazing - featuring rhythmically challenging passages that feel more at home on an Emerson Lake & Palmer album than in an off-Broadway production. And the use of deep, electronic, highly synthetic keyboard accompaniments mixed in with all that progressive piano - well, it's enough to make any composer worth his or her salt stand up and say, "I wish I had written that." Truly original is the only way that you can describe this score.

But the accolades don't stop with the underscore. In fact, what makes all of this so brilliant is the intermittent use of simple compelling melodies intermixed with semi-atonal vocal rants that bounce you between Sondheim and Schwartz (if that is even possible) within a matter of seconds. And just when you think the score has run away from you, a simple repeating melody or lyric somehow brings everything right back into focus. Just incredible.

And then there's the story. Well, we can't credit the composers for that. But we can credit them with having had the vision to know that this is the story that musical theater has been in desperate need of for the last decade. You can have your bubble game remakes of 80's movies and TV shows. You can have your poorly executed and oversold band "biopics" which, I'm sorry, are just excuses to rehash old hit songs and somehow attempt to bring them together to form a profitable storyline. Yes, you can have all of that. But give me this dark, disturbing, plot line any day over any of that nonsense. Yes, Adding Machine is a story that actually says something to its audience and makes you think about a few things in life. And, what's more, this CD (and the fantastic lyrics that go with it) tell the story brilliantly - as if you are listening to some kind of musical book-on-tape. Just amazing.

So, if you haven't gotten it yet - I LOVED this CD. And that's coming from someone who isn't exactly easy on most new musical theater (if you couldn't tell). Sometimes I ask myself if I'm being too harsh. But, when a score like this comes along and shows us all what musical theater CAN BE, I start to think that I might have it pretty darn right.

I know I haven't spent any time on the performers, who also deserve more than just a brief mention, even if that's all I can give them (I'm still too floored by the music!). Of course. I couldn't love a musical soundtrack this much without also loving the performers who deliver it. The standout is, of course, Joel Hatch who, in Mr. Zero, gives you a character that you can empathize with, relate to, yet, somehow, never quite cheer for - while he and his castmates, with their over-dramatized accents, allow the listener not only to feel, but also to SEE, every scene in which they are acting. Ralph Kramden has nothing on this guy, and you love him every bit the same. And that's exactly why the message that he delivers somehow cuts right through.

In summary, I urge you to give this music a listen. I don't know why, but I keep coming back to Keith Emerson meets Stephen Sondheim. I know a lot of people probably won't make that leap. But, those of you who do, you'll know what I mean.

Here's to a long and prosperous career, Mr. Schmidt - whoever you are. I'm sure nobody will be saying that for too long.


 

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