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Get Yer Ya-Ya's Out! The Rolling Stones In Concert [40th Anniversary Deluxe Box Set] [3 CDs + 1 DVD] | ![Get Yer Ya-Ya's Out! The Rolling Stones In Concert [40th Anniversary Deluxe Box Set] [3 CDs + 1 DVD]](http://ecx.images-amazon.com/images/I/51Ybqc4MtYL._SL160_.jpg)
| Artist: The Rolling Stones
Label: Abkco
Category: Music
List Price: $59.98
Buy New: $41.99
as of 11/21/2009 05:05 CST details
You Save: $17.99 (30%)
New (15) Used (2) from $41.99
Seller: Amazon.com
Rating:  18 reviews
Sales Rank: 104
Format: Box set, Deluxe Edition, Extra tracks
Media: Audio CD
Discs: 4
Shipping Weight (lbs): 1.2
Dimensions (in): 8.2 x 6.1 x 1.7
UPC: 018771023920
EAN: 0018771023920
ASIN: B002NOAF9W
Release Date: November 3, 2009 (New: Last 30 Days)
Shipping: Eligible for FREE Super Saver Shipping
Availability: Usually ships in 24 hours
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| Tracks:
Disc 1
| • | Jumpin' Jack Flash (Original Release Remastered) | | • | Carol (Original Release Remastered) | | • | Stray Cat Blues (Original Release Remastered) | | • | Love In Vain (Original Release Remastered) | | • | Midnight Rambler (Original Release Remastered) | | • | Sympathy For The Devil (Original Release Remastered) | | • | Live With Me (Original Release Remastered) | | • | Little Queenie (Original Release Remastered) | | • | Honky Tonk Women (Original Release Remastered) | | • | Street Fighting Man (Original Release Remastered) |
Disc 2
| • | Prodigal Son (Unreleased Track) | | • | You Gotta Move (Unreleased Track) | | • | Under My Thumb (Unreleased Track) | | • | I'm Free (Unreleased Track) | | • | (I Can't Get No) Satisfaction (Unreleased Track) |
Disc 3
| • | Everyday I Have The Blues (Unreleased B.B. King Track) | | • | How Blue Can You Get (Unreleased B.B. King Track) | | • | That's Wrong Little Mama (Unreleased B.B. King Track) | | • | Why I Sing The Blues (Unreleased B.B. King Track) | | • | Please Accept My Love (Unreleased B.B. King Track) | | • | Gimme Some Loving (Unreleased Ike & Tina Turner Track) | | • | Sweet Soul Music (Unreleased Ike & Tina Turner Track) | | • | Son Of A Preacher Man (Unreleased Ike & Tina Turner Track) | | • | Proud Mary (Unreleased Ike & Tina Turner Track) | | • | I've Been Loving You Too Long (Unreleased Ike & Tina Turner Track) | | • | Come Together (Unreleased Ike & Tina Turner Track) | | • | Land Of 1000 Dances (Unreleased Ike & Tina Turner Track) |
Disc 4
| • | Prodigal Son (DVD content) | | • | You Gotta Move (DVD content) | | • | Under My Thumb (DVD content) | | • | I'm Free (DVD content) | | • | (I Can't Get No) Satisfaction (DVD Content) | | • | Backstage footage (shot by Albert & David Maysles) with In-studio footage from album cover shoot (DVD Content) |
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| Editorial Reviews:
Album Description
The GET YER YA-YA'S OUT! THE ROLLING STONES IN CONCERT 40TH ANNIVERSARY DELUXE BOX SET contains 3 CDs, 1 DVD, a 56-page Collectors Book and a postcard replica of the original Rolling Stones 1969 tour poster by David Byrd. The first CD is a remastered version of the original Get Yer Ya-Ya's Out release. The second CD contains 5 unreleased tracks by The Rolling Stones from the original Madison Square Garden concert. The third CD contains 12 never before released tracks by opening acts B.B. King and Ike & Tina Turner. The DVD features performances by The Rolling Stones from the 2 night concert at Madison Square Garden, backstage footage, scenes of Keith Richards in the studio and footage of the Get Yer Ya-Ya's Out album cover shoot, all shot by Albert and David Maysles. The 56-page Collectors Book includes photos and an essay by the acclaimed photographer Ethan Russell, an original article by Lester Bangs from Rolling Stone magazine and remembrances from concert-goers. A limited number of box sets will also have an insert with a code to download "I'm Free (Live)" for Guitar Hero.
Album Description
Deluxe four disc (three CDs + DVD) 40th Anniversary edition of this live release also contains a 56-page Collectors Book and a Postcard replica of the original Rolling Stones 1969 tour poster by David Byrd. The first CD is a remastered version of the original album. The second CD contains five unreleased tracks from the original Madison Square Garden concert. The third CD contains 12 never before released tracks by opening acts B.B. King and Ike & Tina Turner. The DVD features performances by The Rolling Stones from the two night concert at Madison Square Garden, backstage footage, scenes of Keith Richards in the studio and footage of the album cover shoot, all shot by Albert and David Maysles. The 56-page Collectors Book includes photos and an essay by the acclaimed photographer Ethan Russell, an original article by Lester Bangs from Rolling Stone magazine and remembrances from concert-goers. A limited number of boxes will also have an insert with a code to download 'I'm Free' (Live) for Guitar Hero 5.
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| Customer Reviews:
Showing reviews 1-5 of 18
 Below par by far November 19, 2009
R. Earhart
Several other reviewers have already given accuate reviews of the numerous shortcomings of this pathetic effort to squeeze your dollars from your wallet. The only worthwhile disc and reason for 2 stars, instead of the well deserved single, were the blues covers from BB King and Tina/Ike. Save your money!
"Paint It Black You Devils!" November 19, 2009
Kenneth M. Gelwasser (Hollywood, Fl USA)
Back in February 2001, the very first review I ever wrote for Amazon was a five star review of the Rolling Stones' album, "Get Yer Ya-Ya's Out!" Why? Thats an easy answer. It's my all time favorite live album. I love the rough, grungy, almost punkish feel to it. It just seems to be permeated throughout, with a crackling energy, thats' just so alive. "Ya-Yas" to me is what the Rolling Stones and Rock n' Roll for that matter, should be all about. As rock critic, Dave Marsh has been quoted as saying,"it just might have been recorded on a night, that the Rolling Stones, really were the world's greatest Rock n' Roll band".
So with that in mind, I was quite excited to find out that "Get Yer Ya-Ya's Out!" was being re-released in a "40th Anniversary Deluxe Box" Set". There is so little from this time period of the Rolling Stones' history, that is officially released. Have they given us more Rock n'Roll nectar? Could this finally be our Stones 'Holy Grail'? Well not exactly...
This is a box set with both good and bad points. The good points are that the new stuff, that is included is really fantastic! If you are a collecter of Classic Rock you will absolutely eat this stuff up! The bad news is that this fantastic new stuff has been unecessarily spread out across four discs to somehow justify an outrageous list price. This is done to the detriment of the set's content.
Here is the layout. Disc 1 is the original remastered, classic "Get Yer Ya-Ya's Out" on CD. If your spending your hard earned sheckels on this box, then I can pretty easily guess, ya got it already (am I wrong?). Disc 2 is 5 unreleased tracks. Wonderful, amazing stuff! I love it! Like mannah from heaven! But its only 5 tracks folks! I don't want to sound ungrateful, but those 5 tracks could have easily been put on the first disc in the proper set list order! I guess this is why 'playlists' were invented for iTunes (sigh...). Disc 3 are the opening acts of B.B.King plus Ike and Tina Turner. I have no problem with this. They perform good, short, energetic sets, that give you a sense of the flavor of the evening. You can feel the anticipation of the audience as they await their beloved Stones.
Disc 4 is the DVD. This is really where the good stuff is. The meat and potatos. The stuff to make your buddy, who wouldn't splurge on this box, jealous. I really wasn't expecting much, when I popped the disc into the DVD player. But by the end of the all too short 28 minutes of footage, my jaw was on the floor. This is film shot by the Maysles Brothers. The same folks that brought us "Gimme Shelter". But unlike "Gimme Shelter" the Stones are at their Rock n' Roll peak. They are in total command of the audience and you can feel the energy. You really get a sense of what an event this was and how MSG must have seemed like the center of the universe. If that wasn't good enough, then even better is the back stage footage, which shows the boys at rest and play (including shots of Janis Joplin plus footage of Jimi Hendrix hanging out, playing guitar). The cherry on the sundae though is footage of the Stones and their entourage meeting up at a helioport with the Grateful Dead (who are in all their psychedelic, hippie-cowboy, glory). It looks like they are heading off to the disaster known as 'Altamont'. This is the stuff that makes this box set worth owning. Unfortunately it leaves you wanting more...much more.
Physically, this box set is very nice. My hat is off to the graphic designer. It includes an interesting, well written, small hardback book, which fits nicely together with the discs. The audio content is wonderful, but has not been arranged well to the detriment of both the set and the fans. Even though this box set is unnecessarily expensive, it is still worth buying. Trust me, if you are a serious Stones fan, you will love it!
The Stones Live 69, The Beatles..... November 17, 2009
Avalon Don (Huntington Beach, California United States)
Up to this point the Rolling Stones releases have been fair to the fans. The Beatles recent mono remasters and U.S. compact discs can only be purchased in a box set. The "Ya-Ya's" expanded version brings a closure to the 1969 tour. The quality tracks from the bonus CD would fit nicely between sides A and B of the original album. "Satisfaction" is just that! One of the five best live rock albums just got better. B.B. King and Ike & Tina Turner are token opening sets. B.B. only slips briefly playing "Why I Sing The Blues" too fast for the Stones audience. Tina Turner is energized, soulful and Black -"I've Been Loving You Too Long". Neither act challenges "Cook County Jail" and "What You Hear Is What You Get". The short 26 minute DVD brings a positive light to the 1969 tour that was lost at Altamont and "Gimme Shelter" movie. Cameo appearances though not performing by Jimi Hendrix, Janis Joplin and the Grateful Dead bring us back to special era. The pricey box set has its worth depending on a listener point of view toward the original "Ya-Ya's", but I wouldn't upgrade to the album box. This is the youthful Rolling Stones at their live peak.
 The Antidote to "Beatles: Rock Band" November 16, 2009
Natasha Conn (Las Cruces, NM USA)
1 out of 1 found this review helpful
If "Beatles: Rock Band," with its smiling automaton Fabs singing well-scrubbed pop slightly turned your stomach, here comes the return of one of music's finest hours of balls-out Rock: The Stones live "Get Yer Ya-Yas Out" album from '70 (covering their '69 winter American tour). The raw, looming guitars of Richards and Taylor spark through warhorses like "Sympathy for The Devil" and "Streetfighting Man," Jagger struts along like a demented Jack Flash, while extras include the backporch blues covers of "Prodigal Son" and "You Gotta Move" and a menacingly oscillating "Under My Thumb."
But the real treats are the first time release of the sets of the opening acts of that tour, B.B. King and the Ike and Tina Turner Revue. King and "Lucille" duel hustling Stax-style horn sections, while Tina is simply ON FIRE, blasting a fragment of "Sweet Soul Music," Wilson Pickett's "Land of A Thousand Dances," outsmoldering Roberta Flack on the latter's "Son Of A Preacher Man" and right up there with Otis on "I've Been Loving You Too Long."
I haven't even watched the accompanying DVD. It's probably clips floating around Youtube anyway; who cares. The music is the meat here, and as a portrait of the best white and black music acts circa 1969, it makes a fine meal.
A Treat for the True Stones Fans November 10, 2009
Socrates Stewart (Owings Mills, MD)
5 out of 6 found this review helpful
ABKDO records released a 3 CD, 1 DVD boxed set commemorating the 40th anniversary of the historic November, 1969 Rolling Stones concerts at New York's Madison Square Gardens, though it is widely documented a couple of the original tracks on the album were actually recorded in Baltimore a day earlier. Get Yer Ya-Ya's Out! is by far the Rolling Stones best live albums and surely one of the best live recordings of all-time adding to the bewilderment that how a band so famous for its live exploits has been such a failure capturing their magic on recordings.
The raw power of their music, the showmanship of Mick Jagger, and the guitar virtuosity of Keith Richards and Mick Taylor shine brightly with just enough audience noise to help give the recording a true sense of atmosphere. From the opening blasts of "Jumpin' Jack Flash" to the final guitar riffs of "Street Fighting Man," this historic album shows the Stones on top of their game performing material from the Beggar's Banquet/Let it Bleed period with a couple of superb Chuck Berry covers thrown in just for fun. The Stones deliver their brand of rock n roll with "Jumpin' Jack Flash," "Live With Me," and "Honky Tonk Woman." They honor their great influence Chuck Berry with energized performances of "Carol" and "Little Queenie" augmented with some excellent boogie-woogie piano from their devoted sidekick Ian Stewart. The real highlights of the album are their recordings of "Midnight Rambler" and "Sympathy for the Devil."
"Midnight Rambler" right from the lead up to the first notes of the song creates a manic sense of pure energy that the band carries through out the extended play of the entire song from Jagger's back and forth between vocal and harmonica to the booming guitar interplay between Richards and Taylor. The song in all its theatrics comes through loud and clear, the louder the better.
"Sympathy for the Devil" is a much more curious presentation. First, what makes this listen so special in light of numerous live versions recorded since then is that they make no cheesy attempts to imitate the original studio recording. It's just the five Stones playing their regular rolls. No attempt to add keyboard has ever been successful as Nicky Hopkins' original work is simply too nuanced to make the transition to a booming rock concert arena presentation. Further, there's no way the Stones could create the intricate percussion effects of the original and do the attempts to do so with synthesized and sampled artificial ingredients work? Hardly. Instead, back in 1969, they stripped the song down to something that could be performed with two guitars, bass, and drums taking a highly complex rock-you-drama to pure hard hitting rock. The results are astonishing led by absolutely evil lead guitar as only Keith Richards could accomplish. Meanwhile, Charlie Watts, famous for his straight forward drumming, lays down a wicked rhythm that is marvelous for its simplicity but supplies all the attitude of the layers of percussion of the original in very minimalist form. Ironically, the real beauty of this presentation is its lack of perfection. The song takes a break for an extended guitar solo by Keith Richards and then some licks from Mick Taylor. Right where Jagger's supposed to come in with the verse beginning, "Just as every cop is a criminal and all the sinners saints...;" however, the Mickster forgets the lyrics tries to find himself with a few "Get on down's" while the band covers his back, suddenly out of nowhere, Mick Taylor comes to the rescue with one of the boldest, finest guitar solos improvised right on the spot as Keith, Bill, and Charley follow along leading to a powerful finish. It's a few minutes of the most exciting live rock n roll ever made more fascinating that none of it was according to plan.
The album sequence blasts right into a pumped up, paired down version of "Live With Me" setting down styling that could be the prototype for so much punk or big hair guitar rock that would come later.
Get Yer Ya-Ya's Out! would be impossible for any incarnation of the Rolling Stones that followed though the 1972 tour, never captured on album, adding Nicky Hopkins on piano, Bobby Keys on sax, and Jim Price on trumpet, had a sleazy madness all its own that one hopes there are some good tapes somewhere that could be converted into an album at some point.
Mick Taylor left the Stones in late 1974 replaced by Ronnie Wood and the makings of the modern Stones approach to touring was taking shape where the emphasis turned more to showmanship than just plain all-out rocking. As such, Get Yer Ya-Ya's Out! Becomes an even more critical album as it captures a special place in time in this great band's evolution where they could play as a completely self-contained unit unrestrained and fully energized.
As is often the case, Get Yer Ya-Ya's Out!, as an album is as much a enginee's, Glyn Johns, creation as it is a facsimile of a real Stones concert. The recordings cover all the Madison Square gigs plus the additional material from Baltimore. The song sequence is not the same as the concerts and a handful of songs have been left off.
To help rectify that situation, enter the new creation, the 40th Anniversary Boxed Set. It includes the missing songs, "Prodigal Son," "You Gotta Move," "Under My Thumb/I'm Free," and "(I Can't Get No) Satisfaction." While these performances surely have their merits, it's obvious to see why they weren't included on the original album. "Prodigal Son" and "You Gotta Move" are both excellent acoustic numbers, just Mick singing and Keith strumming that are quite appealing performances, but given the high energy sustained drive of the original album, these two songs would be absolute mood killers. "Under My Thumb" is a fine live number with a solid Keith Richards guitar solo, but it's just a little too laid back to fire up the energy of the established album; furthermore, it transitions almost as a medley into "I'm Free" which simply does not catch fire in this format although Mick Taylor launches into a wonderful guitar solo ending in a burst of feedback. While Stones fans could find plenty to like about this performance, a deejay's sensibility would see this number as a real mood killer apart from the rest of the album. The final track from the supplemental material is an extended version of "(I Can't Get No) Satisfaction" and it's hardly a version of the Stones most popular tune for the ages. Sure, it's a good listen played super loud especially for anyone who has ever seen the Stones perform live. It's full of brute force as the band rocks its collective tail off. For fans of the Rolling Stones of the Mick Taylor era, their young prodigy turns in a remarkable extended solo, his specialty. Also, as is so often the case for songs from this tour, once again, it appears Jagger blows the lyrics toward the end. All this is fun and adds authenticity for the real Stones' fan but is probably not that appealing for the casual rock listener.
With that much in mind, the 40th Anniversary Box, is absolutely a curio for the most dedicated Stones fan and further underscores that the original album, Get Yer Ya-Ya's Out! is one of the core essential albums for any rock fan who appreciates the best guitar rock has to offer.
However, for the real Stones fan, there's even more to love on disc 3. It features music from the opening acts for the Stones, no one less than B.B. King and Ike & Tina Turner. For this reviewer, this material is reason enough to spring for this expensive boxed set.
One will never hear B.B. King play with such explosive rocking power as shown here while never being unfaithful to his status as "The King of the Blues." His set opens with a high energy, fast paced version of "Every Day I Have the Blues" then hunkers down to a much more traditional performance of "How Blue Can You Get" which starts off with lots of extended guitar play before the singing starts. Yes, ol' Lucille is paying her dues on that hot November night in New York. King's set continues with `That's Wrong Little Mama," a cruisin' shuffle, a rough cut soulful version of "Why I Sing the Blues," and concludes with a delightful going home piece, heartfelt and all blues, "Please Accept My Love." B.B.'s address to the crowd could surely make blues converts out of the youngest most uninitiated little rock n rollers into hard core bluesmen. Like the Stones material, King's performance has a rough and raunchy edge not typical of the more slicker, more experienced sound of most of King's work from the 1960's forward.
Not to be outdone, Ike and Tina Turner command the stage for a short set of dynamite cover tunes of well known songs from the late 60's. White boy audiences were starting to appreciate the real value of true R&B as many of them followed the great Stax records performers like Otis Redding so venerated by the Stones themselves, but Sly and the Family Stone and Ike and Tina had started to carve out their own fan base. In short order, they rock out with high energy, funky showcases of "Sweet Soul Music," "Son of a Preacher Man," "Proud Mary," "I've Been Loving You Too Long," "Come Together," and "Land of 1000 Dances." Tina's ability to seduce a crowd and dominate the stage is so clearly evident on these performances. As a point of reference, "Come Together" was still a hit on the pop charts as the Beatles Abbey Road was released in late September, just a few weeks before this legendary New York concert series. Given that B.B. King and Ike and Tina served as opening acts for the Stones, they set a high bar that the Stones had to exceed with their own work as they were warming up their audiences with two of the most seasoned, accomplished live acts in all of show biz.
The DVD in this set is nothing special. It features film clips of the songs not included on the original album. The film quality is poor almost exclusively focused on Jagger with some cutaways to Keith and almost nothing for the rest of the band. The shots of the audience members is a real hoot showing what people in their late 50's and 60's today looked like forty years ago. There are also some scenes from a photo shoot with Mick and Charlie trying to compose the photo for the album cover. Another scene features a very stoned looking, Mr. Richards at play in the studio. The material on this DVD offers little more than some fun snapshots of the Stones at work in 1969. Again, the super fan will find this interesting but it would be just a ho-hum for the rest.
A hard covered book provides a few photos and essays about the Stones 1969 tour, another curio for the long term Stones fans and real collectors.
At $59.99, ABKCO records is really looking to fleece the Stones fan who is willing to spend big bucks in pursuit of the best their favorite band has to offer, but Amazon, for instance, put the set on sale for $49.99 then quickly dropped the price to $41.99 as advanced sales must have been below expectations and given how specialized interest in this album must be it's obvious to see why.
As a listener who has enjoyed the Rolling Stones since "Time is On My Side" became his first real rock single that lead to an incomprehensibly large collection today, this reviewer thoroughly enjoys this special salute to the 40th anniversary of one hell of a great live album and historic concerts. Hearing Tina Turner belt out a sleazy seductive "Come Together" alone is quite a treat. The Stones unreleased material makes it possible to better feel what the original concert must have been like. It's equally obvious, that this special collection is just that and is not for everyone not even casual Stones fans, only the very hardcore.
The recording quality is absolutely stunning. Though the Stones ABKCO material, all their recordings up to Get Yer Ya-Ya's Out!, was thoroughly and expertly remastered in 2002 even providing SACD recordings for a limited time, this release sounds liver and has more presence and definition than even that fine release.
The final note is that Get Yer Ya-Ya's Out! is a truly great album, an absolute essential for any Rolling Stones, classic rock, or live guitar rock collection. Listeners who don't own this great album should add it to their collection and crank it up. Those who haven't heard this album for decades will be delighted that it has aged well and makes all subsequent attempts to capture the energy of a Stones concert seem so futile.
Showing reviews 1-5 of 18
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