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The War Of The Worlds (1978 Studio Cast) |  | Artist: Jeff Wayne
Label: Sony
Category: Music
List Price: $19.98
Buy Used: $14.07
as of 11/21/2009 18:19 CST details
You Save: $5.91 (30%)
New (4) Used (16) Collectible (1) from $14.07
Seller: disc_daddy
Rating:  147 reviews
Sales Rank: 45955
Format: Cast Recording
Media: Audio CD
Discs: 2
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 4.9 x 0.9
UPC: 074643529020
EAN: 0074643529020
ASIN: B0000025CO
Release Date: October 25, 1990
Availability: Usually ships in 1-2 business days
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| Tracks:
Disc 1
| • | Eve of the War | | • | Horsell Common and the Heat Ray | | • | Artilleryman and the Fighting Machine | | • | Forever Autumn | | • | Thunder Child |
Disc 2
| • | Red Weed, Pt. 1 | | • | Spirit of Man | | • | Red Weed, Pt. 2 | | • | Brave New World | | • | Dead London | | • | Epilogue, Pt. 1 | | • | Epilogue, Pt. 2 |
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| Editorial Reviews:
Album Description
Jeff Wayne's 1978 rock soundtrack to the remake of Orson Welle's classic 1930 tale of global invasion. A double jewel case housed inside a slipcase, this special presenta-tion edition features Super Bit Mapping and includes bonus remixes. 16 tracks in all. 1995 Columbia release.
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| Customer Reviews:
Showing reviews 1-5 of 147
 Wish there had been more like this June 7, 2009
William R. Warren Jr. (Ellensburg, WA USA)
When this album came out, it was enthralling. The AM Top 50s stations were wearing the grooves off Justin Hayward's "Forever Autumn" single, and some DJ in Seattle (I think it was Gary Lockwood) mentioned it was from "The War Of The Worlds". I bought the twin-LP set with color book and 45 single at least three times and wore the grooves off each one, eventually, despite being careful.
Well! All the grooves are back, no flipping of vinyl in the middle of a song! And your kids will love it as much as you do. Well, they will have that potential. (But *your* kids and grandkids just made J. K. Rowling rich because they read her books -- give 'em the album and a paperback of HG's novel. Ya never know ...) A marvel in musical storytelling, science fiction performance, while not actually rising to the haut couture of being an actual "rock opera". (Preserved digitally now, hoorah!)
Beyond the War of the Worlds. January 11, 2009
Peter Karsten (Australia)
It was 1978 when I first listened to Jeff Wayne's concept album `The War of the Worlds', I thought it was great, and I had to get a copy-well on tape anyway, it was so different than anything I've ever heard of on radio before, and also I was into science fiction (I still am) which helped me appreciate the music; it was the best thing I ever owned, and later on in life I got the 2 record set-I think I still got it somewhere-I think? Well, I better check my small record collection just to be sure.
Now of course, years later, I purchased the `The War of the Worlds' "Limited Millennium Edition" on CD in 1999, I don't know how different it is to other CD versions, but this copy is like a miniature version of the vinyl record. But for now let's read on...
When it comes to classic science fiction there is one story (arguably) that comes to mind, which is a cut above the rest; no other story has come close to achieving success in its field than `The War of the Worlds' by H. G. Wells. (There is of course, `Journey to the Centre of the Earth' and `20.000 Leagues under the Sea' by Jules Verne which also comes to mind, but perhaps not as successful) H. G. Wells creation of Martians invading the earth has crossed all genres, (almost) firstly as a novel, then as the infamous radio play by Orson Welles in 1938, next, by the 1952 film (so superior than the Steven Spielberg remake-what a dud), and in 1978 Jeff Wayne himself committed the story in his own musical version to vinyl, followed by his musical stage version in 2006. `The War of the Worlds' was even done as a Video and Computer game and as far as I know an animated version is on the cards. The only form left of course would be to make `The War of the Worlds' into an Opera. (Now that would be interesting-I can just see Katherine Jenkins singing as Beth)
So the question remains why has `The War of the Worlds' been so popular? Why has it had success after success, in various forms of media? I can't really answer this accept that possibly it is because of man's fascination with space, intelligent life other than our own, or perhaps with planet Mars itself. Maybe that's it, we are a curious species, and our imaginations tend to (especially in the 19th century) go wild, even today the planet Mars still holds its secrets, and we are still searching for any form of life that existed there-no matter how small-we are obsessed. Life on other planets is a curious thing, are we alone or not?
To this end H.G. Wells created a myth-a legend-a holy grail for future scientists and astronauts to follow-to go to Mars to seek the answer. Little did he know what he let out of the Pandora's Box in the search for his own imagination to bring his ideas to light. `The War of the Worlds' has made its mark on the human psyche, it is embedded-we cannot escape the impression within our soul, we are forever caught in its mythical grasp.
And that grasp took a hold once again, and the recipient was none other than Jeff Wayne himself, and Jeff himself said in interviews, "it was the first story I read that excited me as a musician". So with that in mind Jeff decided to get the ball rolling as it were to develop `The War of the Worlds' in his own making that suited his talents as a composer. With financial backing from CBS, Jeff decided to get various artists to do the artwork for `The War of the Worlds' to bring his creation to life on a visual level, like Mike Trim who did the front cover of the album and Geoff Taylor and Peter Goodfellow who were responsible for the booklet illustrations.
As for the script, Jeff turned to Doreen, his father's second wife, an established writer in her own right; and with her, Jeff and his father began to develop ideas and areas that would ultimately become part of the album. As for the role of the narrator/Journalist of `The War of the Worlds', fate stepped in, upon receiving the script and cover letter from Jeff Wayne while in New York doing a play, Richard Burton read the script for `The War of the Worlds' and contacted Jeff Wayne two days later and signed on to do the part. Burton told Wayne "it was meant to be". Richard Burton was of course a natural, his resonate, sophisticated, deep educated voice, lent depth and power to the Journalist role, when you hear `The War of the Worlds' you really felt you were there with Richard in his journey within the story; all was set and after various engagements later, Richard Burton was free to record his part which took only one day to do, and as the actor was a perfectionist, poured his heart and soul as it were into the work, to ensure it was a first rate recording.
With Richard Burton on board Jeff Wayne hired the rest of his team to collaborate and help him complete the `The War of the Worlds' as the project progressed and chose:
Julie Covington (Beth, Parson Nathaniel's wife)
David Essex: (The Artilleryman)
Justin Hayward (vocals-singing the thoughts of the Journalist in "Forever Autumn")
Philip Lynott (Parson Nathaniel)
Gary Osborne (Lyricist and backing vocals)
Jo Partridge (The Hest Ray)
Chris Thompson (vocals-the voice of humanity in "Thunder Child")
Paul Vigrass (singer/songwriter and backing vocals)
Jerry Wayne (spoken words in "Epilogue, Part 2")
Finally the album was completed and launched in July 1978; it was a great success staying in the charts for 290 weeks in the United Kingdom Album Charts and selling well over 13 million copies, `The War of the Worlds' also was a top 10 hit in 22 countries and reached number 1 in 11 countries internationally (including Australia); the album included 2 worldwide hits singles, "The Eve of War" and "Forever Autumn", which was a top 5 in the UK, both sung by Justin Hayward from the Moody Blues (one of my favourite bands). `The War of the Worlds' also won 2 Ivor Novello Awards including "The Best Recording in Science Fiction and Fantasy'.
The double album of `The War of the Worlds' in the beginning was hard to describe, even the media at that time didn't know how to classify it, as the media liked to put all records into some form of classification to help them decide what genre it should be under and to help them understand the work (how immature). Jeff Wayne while researching `The War of the Worlds' dissected as it were the best bits from the H. G. Welles novel to bring the Martian invasion to life. My personal feeling is that perhaps Jeff could even now extend `The War of the Worlds' as a trilogy. But at the time even a double album was ambitious and expensive considering the final cost was around £240.000. As stated above the musicians who contributed to the album were first rate, all of them are legends in the music industry, Justin Hayward from the Moody Blues, David Essex and the late Phil Lynott from Thin Lizzy just to rename three.
The best way I feel to get the full impact of `The War of the Worlds' is to listen to the recording at night when you have an evening free, and make sure there is a full moon in the sky in which you can sit back and view it through a large window or if you prefer go outside to experience the full pleasure of what you are about to perceive in atmospheric sound and effects that will transport you back to the 19th century, as your mind conjures up images and imagination of an alien invasion and how mere earthlings handle something that is beyond their primitive minds to understand.
Jeff Wayne's adaptation of the novel is a triumph, and the musical version of `The War of the Worlds' has become a classic that even today can not be surpassed-it is timeless and quite unique as a concept album. (It is the 2001: A Space Odyssey of the music world-an interesting comparison)
`The War of the Worlds' is a must to have in your collection, and read the novel as well, perhaps do that first to get you in the frame of mind so you can understand H.G. Welles better and his vision of the Martian invasion that has yet to come.
Special thanks to Wikipedia for additional information for compiling this review.
Until next time-Ulla.
A Classic in the true sense of the word December 29, 2008
Ketira shena Pretarasedrin (Space Coast, FL, USA)
This is a true classic: Even though it is over 30 years old, the songs and story can still be listened to in a wonderful, fresh way. Richard Burton does an excellent job as the Narrator/Journalist, and the other voices on this album are also excellently done as well. Jeff Wayne does a wonderful job of orchestrating the music to fit the classic H.G. Wells story. The songs themselves are sung with the right emotion behind it. (I.e: "Forever Autumn" sung with sadness/yearning as the Journalist wishes his wife was with him.)
If you ever wanted to hear a classic story in an interesting new way, *get this album.* The cash will be well spent as I expect this album to be a collector's item in a couple of decades.
Great Cd To Buy March 25, 2007
C. Shaw
2 out of 2 found this review helpful
This Cd has been one of my favorites for years. My father has the LP of War of the Worlds and so I grew up listen to it. There are great artist who worked on it, one of them being Justin Hayward from the Moody Blues. Richard Burton does a wonderful job as the main character as he tells you one of the most famous martian invasion stories of all time. Jeff Wayne adds great music to the story. It is a great buy.
 Forget Fear, let's get up & DANCE! November 20, 2006
D. Wong (Half Moon Bay, CA)
A friend bought this for me for my birthday, as I was such a fan of the Orson Welles version. I really liked the music, continually interrupted by Burton's trillingly-told tale of an extraterrestrial invasion. Burton made it sound as though he was inviting old friends over for tea. Nice musical take on the tale, but for my money, the Orson Welles version makes me scared - this one just makes me want to boogie down!
Showing reviews 1-5 of 147
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