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Key Concepts in Cinema Studies | 
 enlarge | Author: Susan Hayward
Publisher: Routledge
Category: Book
List Price: $22.95
Buy Used: $6.01
You Save: $16.94 (74%)
New (1) Used (15) from $6.01
Avg. Customer Rating:  1 reviews
Sales Rank: 1250188
Media: Paperback
Edition: 1
Number Of Items: 1
Pages: 496
Shipping Weight (lbs): 0.9
Dimensions (in): 7.8 x 5.1 x 0.9
ISBN: 0415107199
Dewey Decimal Number: 791.4303
EAN: 9780415107198
ASIN: 0415107199
Publication Date: July 19, 1996
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: a bit of marking, but text mostly clean; a few folded corners; creases on spine; cover has edge wear; ships from berkeley, CA (expedited is fastest)
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Product Description
This is an A-Z of the key critical terms in film studies, and aims to make film texts and analysis more accessible to the student. The entries include explanations of familiar concepts such as "realism" and "history", as well as covering more sophisticated constructs like "scophilia" and "gesturality". The text is aimed not just at the European film industry, but takes many of its entries from non-European and American cinema. It also includes terms related to the fields of practical film and video work. It is organized alphabetically with cross-references to related terms, and should be a useful study aid for all students of the cinema.
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| Customer Reviews:
Absolutely essential and the most informative, so far.... June 8, 2000
5 out of 5 found this review helpful
This book seems to be the best cinema studies reference book, so far, on the market. It does cover most definitions from different film theories and cinema studies briefly, yet precisely. It does not have all of the film studies' essential vocabulary, but it has most of it. Numerous examples are also supplied with every definition or argument. I should say, though, that the format could have beed better [easier to access]. But, other than that, this book is the perfect guide to your film studies. NOTE: This book has nothing to do with language of filmmaking and its process [I thought I should mention that, just in case...]
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